Orlando (Ruhl)

A SAMUEL FRENCH, INC. TITLE

Spanning three centuries, Orlando chronicles the boisterous adventures of a young nobleman in Queen Elizabeth’s court who awakens in the middle of his life to discover he is now a she – and immortal to boot. Sarah Ruhl’s adaptation of Virginia Woolf’s novel is a wild, fantastical trip through space, time and gender.

Image: 2024 Signature Theatre Company Production (Joan Marcus)

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Cast Size

4 any gender (adult) plus ensemble
Duration

105 Minutes
Subgenre

Farce, Fantasy, Adventure, Adaptation (Literature), Adaptation (Shakespeare), Adaptation (Stage & Screen), Theatre for Young Audiences, Mystery/Thriller, Christmas/Holiday, Biography, Fable/Folktale, Period, Experimental, Chancel Drama/Pageant, Science Fiction, Parody/Spoof, Docudrama/History, Commedia dell'Arte, Not Applicable, Faith-Based, Romantic Comedy
Suggested Use
- Cutting Approved for Competition
- Irene Ryan
- Monologues
- Scene Work
- UIL Approved
- Competition or Audition Material
Target Audience

Appropriate for All Audiences, Adult, Senior, Young Children (Age 2-5), Children (Age 6-10), Pre-Teen (Age 11-13), Teen (Age 14-18)

Details

Summary

An adaptation of the “longest and most charming love letter in literature,” written by Virginia Woolf for her lover, Vita Sackville-West, Orlando is a theatrical, wild, fantastical trip through space, time and gender. Orlando’s adventures begin as a young man, when he serves as courtier to Queen Elizabeth. Through many centuries of living, he becomes a 20th-century woman, trying to sort out her existence. This fresh stage adaptation from Sarah Ruhl uses narrative and a chorus to enact lyrical, instant and whimsical transformations as Orlando travels through countless epochs.

History

Orlando was commissioned by Joyce Piven and was first produced at the Piven Theater Workshop, directed by Joyce Piven. The play received its New York premiere at Classic Stage Company in September of 2010 under the direction of Rebecca Taichman.

Cast Attributes

Keywords

Performing Groups

ORLANDO

The Chorus
SASHA
QUEEN ELIZABETH
SHAKESPEARE
THE ARCHDUKE/ARCHDUCHESS
MARMADUKE BONTHROP SHELMERDINE, ESQUIRE
MISS PENELOPE HARTOPP
A WASHERWOMAN
FAVILLA CLORINDA
EUPHROSYNE
A RUSSIAN SEA-MAN
OTHELLO
DESDEMONA
A SEA CAPTAIN
A MAID – GRIMSDITCH
A MAID – DUPPER
SALESPERSON

The Chorus may be cast with all kinds of genders, may be double-cast, or may be played by as few as three gifted transformational virtuosic actors or as many as you can fit on a stage and pay.
They should seldom speak all at the same time. Use your imagination when assigning lines to the ensemble.

The Chorus may be cast with all kinds of genders, may be double-cast, or may be played by as few as three gifted transformational virtuosic actors or as many as you can fit on a stage and pay. They should seldom speak all at the same time. Use your imagination when assigning lines to the ensemble.

Time Period Contemporary, Present Day, New Millennium/21st Century, The Future, 1990s, 1980s, 1970s, 1960s, 1950s, 1940s/WWII, 1930s, 1920s, 1910s/WWI, 1900-1910, Wild West, American Civil War Era, Victorian (British and American), 16th Century/Elizabethan, Greek/Roman/Biblical, Not Applicable, 18th Century, 19th Century, 17th Century, Medieval (6th-14th Century), 5th Century/Arthurian, Ancient, 15th Century
Setting
Various locations. 16th-20th centuries.
Features Contemporary Costumes/Street Clothes, Elaborate/High-Volume Costumes, Fantasy Costumes, Period Costumes
Additional Features Audience Participation/Interactive, Animal Spot, Local Celebrity Cameo, Mime, No Intermission, Physical Comedy, Play with Music, Puppetry, Stage Combat, Special Effects, Not Applicable, Multimedia, Drag Performance
Duration 105 Minutes
Cautions
- Alcohol
- Animals
- Drugs
- Flying
- Gun Shots
- Intense Adult Themes
- Strong Language
- Mild Adult Themes
- Nudity/Partial Nudity
- Open Flame
- Smoking
- No Special Cautions
- Suicide
- Violence

Media

“Rollicking good fun... lots of laughter, and something to think about.” – Examiner

“Ms. Ruhl, the gifted playwright whose work has been characterized by a mixture of the feminist and the fabulist that finds a natural echo in Orlando, modestly cedes the stage to Woolf in this economical adaptation of Woolf’s 1928 novel... The stage Orlando faithfully recreates the incidents Woolf uses to illustrate her ideas about the fluidity of gender and identity, and the great mysteries of time.’ – New York Times

“It all suits the stage like a dream, slippery and fantastical, and Sarah Ruhl’s 10-year old adaptation is a swift precis that never feels filleted as it muses on identity, history and human subjectivity.” – The Guardian

“Ruhl’s script is a jewel.” – Vulture

“[Woolf’s] 1928 novel Orlando, now adapted by Sarah Ruhl in a story-theater style... preserves the writer’s playful cadences and much of her wit.” – The Village Voice

“Simplicity is magical in Orlando. That’s as true for Sarah Ruhl’s lovingly crafted adaptation of Virginia Woolf’s time-bending, gender-shifting novel as it is for Woolf’s mesmerizing prose.” – SF Gate

“Ruhl’s adaptation is respectful of the original, following the story precisely, and making extensive use of Wolfe’s original language... rollicking good fun... Admirers of Woolf and Ruhl will be very happy with this [play], as will anybody looking for a good time, lots of laughter, and something to think about.” – Examiner

Videos

Sarah Ruhl Discusses Orlando
Orlando – Constellation Theatre Co. Trailer
Orlando – Scene from Court Theatre, Chicago
Sarah Ruhl on Orlando

Photos

Image: 2024 Signature Theatre Company Production (Joan Marcus)

Music

Musical Style Classic Broadway, Pop/Rock, Jazz, Country/Western, Folk, Operetta, N/A (Not a musical), Contemporary Broadway, Hip-Hop/Rap
Dance Requirements Easy
Orchestra Size Small/Combo, Medium, Large, Piano Only, X-Large

Licensing & Materials

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This title does not require a licensing fee for performance.
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$75 with companion piece
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$90 with other plays in collection
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$100 with companion piece
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$125 with other plays in collection
Minimum Fee: $90 per performance
$55 per short play individually
Minimum Fee: $125 per performance
$75 per play individually
Licensing fees and rental materials quoted upon application.
Licensing available for professional groups only. Some restrictions apply.
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Minimum Fee: £70 per performance plus VAT when applicable.
Minimum Fee: £85 per performance plus VAT when applicable.
Minimum Fee: £70 per performance
£13 per play individually
Plus VAT when applicable
Minimum Fee: £70 per performance
£30 per play individually
Plus VAT when applicable
See individual titles for licensing fee.
Performance rights for this show are currently heavily restricted in the UK and Ireland. Please submit a licence request to determine availability
Minimum Fee: £100 per performance
Performance rights for this title are currently withdrawn in the UK. To be informed as soon as it becomes available in the future, please submit a license application.

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This title is not currently available for performance. To be informed as soon as it becomes available in the future, please submit a license application.
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There are multiple versions of this title. Before you proceed, please double-check to ensure that you are applying for the version you want. We will not be able to refund rental or shipping fees if you pay for the wrong version.

Neither version includes the movie songs. You will have to secure separate permission to include those songs in your performance, regardless of which version you choose. More information will be included as part of the licensing process.

If you’re not sure which version best suits your needs, you may purchase a perusal for each available version.

GREASE

GREASE: SCHOOL VERSION.
This title is now available for licensing. Please contact your
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CHICAGO
Performance rights for this version are currently withdrawn in the UK and Ireland. To be advised as soon as they become available, please submit a licence application.

CHICAGO: TEEN EDITION
Printing instructions located here.
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Licensing available for non-professional groups only. Some restrictions apply.

This title is currently unavailable for licensing in the United States and Canada. Please contact your representative to note interest for future seasons.
You can license this show for a $900 flat fee. There is no seating or ticket price requirement. The license fee includes rental materials and unlimited performances up to one year.
PLEASE BE ADVISED: There are multiple versions of this title. Before you proceed, please double-check to ensure that you are applying for the version you want.

Chicago is a premier, high royalty title that requires further information to license. Following your application, your licensing representative will be in contact with you directly to determine pricing. Call or email your representative with any questions.

Note that high school and youth organizations may not produce the standard version of CHICAGO, and must apply for CHICAGO: TEEN EDITION.

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If you’re not sure which version best suits your needs, you may purchase a perusal for each available version.

CHICAGO

CHICAGO: TEEN EDITION
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Samuel French controls the licensing rights for all foreign languages (i.e. non-English) worldwide, excluding the following countries: the United States, Canada, the United Kingdom, Ireland, Australia, and New Zealand.
Minimum Fee: $75 per performance
Minimum Fee:
Live Performance: $75 / performance of one (1) Marvel Spotlight play
$125 / performance of two (2) or more Marvel Spotlight plays

Virtual Performance: $55 / performance day for one (1) Marvel Spotlight play
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Virtual performance rights (online only, with no performances in a theatre for a live audience) are available for this title. Please refer to this resource page to ensure that your licence request is appropriately filed.
PLEASE BE ADVISED: Grease is a premier, high royalty title that requires further information to license. Following your application, your licensing representative will be in contact with you directly to determine pricing. Call or email your representative with any questions.

There are multiple versions of this title. Before you proceed, please double-check to ensure that you are applying for the version you want. We will not be able to refund rental or shipping fees if you pay for the wrong version.

GREASE: SCHOOL VERSION does not include “There Are Worse Things I Could Do.” If you want to include this song in your performance, you must apply for the full version of GREASE here.

Neither version includes the movie songs. You will have to secure separate permission to include those songs in your performance, regardless of which version you choose. More information will be included as part of the licensing process.

If you’re not sure which version best suits your needs, you may purchase a perusal for each available version.

GREASE

GREASE: SCHOOL VERSION.
PLEASE BE ADVISED: There are multiple versions of this title. Before you proceed, please double-check to ensure that you are applying for the version you want. We will not be able to refund rental or shipping fees if you pay for the wrong version.

Both ANYTHING GOES (2022 REVISION) and ANYTHING GOES (1962) have multiple orchestra package options. These orchestrations are significantly different, so please choose carefully.

If you’re not sure which version best suits your needs, you may purchase a perusal for each available version.

ANYTHING GOES (1962)

ANYTHING GOES (2022 REVISION)

ANYTHING GOES: YOUTH EDITION
PLEASE BE ADVISED: There are multiple versions of this title. Before you proceed, please double-check to ensure that you are applying for the version you want. We will not be able to refund rental or shipping fees if you pay for the wrong version.

Both ANYTHING GOES (2022 REVISION) and ANYTHING GOES (1962) have multiple orchestra package options. These orchestrations are significantly different, so please choose carefully.

If you’re not sure which version best suits your needs, you may purchase a perusal for each available version.

ANYTHING GOES (1962)

ANYTHING GOES (2022 REVISION)

ANYTHING GOES: YOUTH EDITION
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For additional information regarding the various versions of CABARET, see A Guide to Cabaret in Breaking Character.

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CABARET (ORIGINAL 1966)

CABARET (REVISED 1987)

CABARET (1998 VERSION)
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For additional information regarding the various versions of CABARET, see A Guide to Cabaret in Breaking Character.

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CABARET (ORIGINAL 1966)

CABARET (REVISED 1987)
PLEASE BE ADVISED: There are multiple versions of this title. Before you proceed, please double-check to ensure that you are applying for the version you want.We will not be able to refund rental or shipping fees if you pay for the wrong version.

RODGERS + HAMMERSTEIN’S CINDERELLA (BROADWAY) has two orchestral packages, one from the Broadway production and one from the tour. The orchestrations are significantly different, so please choose carefully.

For additional information regarding the various versions, see A Guide to Rodgers & Hammerstein’s Cinderella in Breaking Character.

If you’re still not sure which version best suits your needs, you may purchase a perusal for each available version.

RODGERS & HAMMERSTEIN’S CINDERELLA (ORIGINAL)

RODGERS + HAMMERSTEIN’S CINDERELLA (BROADWAY)

RODGERS & HAMMERSTEIN’S CINDERELLA (ENCHANTED)

RODGERS & HAMMERSTEIN’S CINDERELLA (YOUTH EDITION)
PLEASE BE ADVISED: There are multiple versions of this title. Before you proceed, please double-check to ensure that you are applying for the version you want.We will not be able to refund rental or shipping fees if you pay for the wrong version.

RODGERS + HAMMERSTEIN’S CINDERELLA (BROADWAY) has two orchestral packages, one from the Broadway production and one from the tour. The orchestrations are significantly different, so please choose carefully.

For additional information regarding the various versions, see A Guide to Rodgers & Hammerstein’s Cinderella in Breaking Character.

If you’re still not sure which version best suits your needs, you may purchase a perusal for each available version.

RODGERS & HAMMERSTEIN’S CINDERELLA (ORIGINAL)

RODGERS + HAMMERSTEIN’S CINDERELLA (BROADWAY)

RODGERS & HAMMERSTEIN’S CINDERELLA (ENCHANTED)

RODGERS & HAMMERSTEIN’S CINDERELLA (YOUTH EDITION)

PLEASE BE ADVISED: There are multiple versions of this title. Before you proceed, please double-check to ensure that you are applying for the version you want. We will not be able to refund rental or shipping fees if you pay for the wrong version. If you’re not sure which version best suits your needs, you may purchase a perusal for each available version.
PLEASE BE ADVISED: There are multiple versions of this title. Before you proceed, please double-check to ensure that you are applying for the version you want. We will not be able to refund rental or shipping fees if you pay for the wrong version.

YOU’RE A GOOD MAN CHARLIE BROWN (ORIGINAL) does not include “My New Philosophy” and “Beethoven Day.” If you want to include these songs in your performance, you must apply for YOU’RE A GOOD MAN CHARLIE BROWN (REVISED).

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YOU’RE A GOOD MAN, CHARLIE BROWN (ORIGINAL)

YOU’RE A GOOD MAN, CHARLIE BROWN (REVISED)
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YOU’RE A GOOD MAN CHARLIE BROWN (ORIGINAL) does not include “My New Philosophy” and “Beethoven Day.” If you want to include these songs in your performance, you must apply for YOU’RE A GOOD MAN CHARLIE BROWN (REVISED).

If you’re not sure which version best suits your needs, you may purchase a perusal for each available version.

YOU’RE A GOOD MAN, CHARLIE BROWN (ORIGINAL)

YOU’RE A GOOD MAN, CHARLIE BROWN (REVISED)
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If you’re not sure which version best suits your needs, you may purchase a perusal for each available version.

THE WIZARD OF OZ (RSC VERSION)

THE WIZARD OF OZ (MUNY)

THE WIZARD OF OZ (YOUTH EDITION)
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If you’re not sure which version best suits your needs, you may purchase a perusal for each available version.

THE WIZARD OF OZ (RSC VERSION)

THE WIZARD OF OZ (MUNY)

THE WIZARD OF OZ (YOUTH EDITION)
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If you’re not sure which version best suits your needs, you may purchase a perusal for each available version.

THE SOUND OF MUSIC

THE SOUND OF MUSIC: YOUTH EDITION
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If you’re not sure which version best suits your needs, you may purchase a perusal for each available version.

THE SOUND OF MUSIC

THE SOUND OF MUSIC: YOUTH EDITION
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If you’re not sure which version best suits your needs, you may purchase a perusal for each available version.

FOOTLOOSE

FOOTLOOSE (90-MINUTE VERSION)

FOOTLOOSE: YOUTH EDITION
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If you’re not sure which version best suits your needs, you may purchase a perusal for each available version.

FOOTLOOSE

FOOTLOOSE (90-MINUTE VERSION)

FOOTLOOSE: YOUTH EDITION
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If you’re not sure which version best suits your needs, you may purchase a perusal for each available version.

RODGERS & HAMMERSTEIN’S OKLAHOMA!

RODGERS & HAMMERSTEIN’S OKLAHOMA!: YOUTH EDITION
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If you’re not sure which version best suits your needs, you may purchase a perusal for each available version.

RODGERS & HAMMERSTEIN’S OKLAHOMA!

RODGERS & HAMMERSTEIN’S OKLAHOMA!: YOUTH EDITION
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If you’re not sure which version best suits your needs, you may purchase a perusal for each available version.

ONCE UPON A MATTRESS

ONCE UPON A MATTRESS: YOUTH EDITION
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ONCE UPON A MATTRESS

ONCE UPON A MATTRESS: YOUTH EDITION
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NUNSENSE

NUNSENSE: THE MEGA-MUSICAL VERSION
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NUNSENSE

NUNSENSE: THE MEGA-MUSICAL VERSION
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CALENDAR GIRLS (Play)

CALENDAR GIRLS: THE MUSICAL
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ROCK OF AGES

ROCK OF AGES: TEEN EDITION

ROCK OF AGES: YOUTH EDITION
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If you’re not sure which version best suits your needs, you may purchase a perusal for each available version.

ROCK OF AGES

ROCK OF AGES: TEEN EDITION

ROCK OF AGES: YOUTH EDITION
Performance rights for this title are currently withdrawn in the UK and Ireland. To be informed as soon as it becomes available in the future, please submit a license application.
Minimum Fee: $150 per performance
Minimum Fee: £125 per performance
Minimum Fee: $135 per performance
Minimum Fee: £105 per performance
Mandatory Music/Media Fee: $15 per performance
Optional Music/Media Fee: $15 per performance
Optional Music/Media Fee: $25 per performance
Optional Music/Media Fee: $45 per performance
Mandatory Music/Media Fee: $25 per performance
Mandatory Music/Media Fee: £10 per performance
Mandatory Music/Media Fee: £18 per performance
Mandatory Music/Media Fee: £32 per performance
Mandatory Music/Media Fee: £37 per performance
Optional Music/Media Fee: £10 per performance
Optional Music/Media Fee: £18 per performance
Optional Music/Media Fee: £32 per performance
Optional Music/Media Fee: £37 per performance
Mandatory Music/Media Fee: $45 per performance

Optional Music/Media Fee: £25 per performance.

Scripts

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Authors

Sarah Ruhl

Sarah Ruhl’s plays include In the Next Room, or the vibrator play, The Clean House, Passion Play, Dead Man’s Cell Phone, Melancholy Play, For Peter Pan on her 70th Birthday, The Oldest Boy, Stage Kiss, Dear Elizabeth, Eurydice, How to Transcend a Happy Marriage, Orlando, Late ...

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Virginia Woolf

Virginia Woolf (1882–1941) was an English writer. She is considered one of the most important modernist 20th-century authors, pioneering the use of stream of consciousness as a narrative device. Her best-known works include the novels Mrs Dalloway (1925), To the Lighthouse (1 ...

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Orlando (Ruhl)